A solid start to its season
Other Desert Cities by Jon Robin Baitz embodies the essence of the contemporary Broadway drama by being two acts with one set and five characters that reveal various sides of a decades old family conflict. Thematically, its forebear is the Ibsen play that peels away the surface of the upper-middle
or ruling class to reveal the hypocrisies by which its members have tried to thrive or, at the very least, survive. It’s about secrets and waiting for them to struggle to the surface. Though it may sound like an old chestnut, Lynn Meyers teases out more from the script as the evening progresses.
or ruling class to reveal the hypocrisies by which its members have tried to thrive or, at the very least, survive. It’s about secrets and waiting for them to struggle to the surface. Though it may sound like an old chestnut, Lynn Meyers teases out more from the script as the evening progresses.
In O’Neill’s Long Day’s Journey Into Night, those family revelations took four hours. In Other Desert Cities, they take half that time. The first act begins promisingly, but about two-thirds of the way in it felt like it was going around in circles and not really advancing. We know the daughter Brooke wants to publish an unflattering memoir about her Hollywood and Republican powerhouse parents and that, though they love her, they’ll retreat from her if she does so. However, this is repeated a number of times. The initial conflict needs some more layers or textures. I felt the play seemed overwritten and over-rated at that point. Neil said, “The second act must be better.” It is much stronger because it gets to the point and offers much greater detail about the family’s background. Katy said at the end, “I didn’t see that coming,” which is the reaction that will make this work for audiences.
Dexter Checks Out the Wyeth Home(?) in Palm Springs |
I’ve liked Sara Mackie in previous productions, but her performance as Brooke wasn’t as intriguing as the rest of the cast. It’s the linchpin part, but it sounded a little one-note and part of the problem is in Baitz’s writing. He’s well suited to TV where a charismatic star or multiple storylines or commercial breaks cover for a character that hasn’t been fully developed by the writer. Her best scenes are with Gilreath because she’s loose, then passionate, then pulled between saving herself and protecting her family. His character deepens, but hers does not. The other problem is that Mackie doesn’t look like she’s related to the other actors.
The Cast, Set, and Lighting of Other Desert Cities |
Other Desert Cities runs through September 22, 2013.
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