A Streetcar Named Desire
for the Economic Downturn
Last year, I wondered whether Woody Allen should retire after the mediocre
To Rome With Love. I retract that assertion after seeing
Blue Jasmine, his best drama (with a couple of nervous laughs) since
Crimes and Misdemeanors (1989). The basic set-up is an older, desperate sister forcing herself on the ambivalent hospitality of a younger, more outwardly normal sister. Yes, it’s
Streetcar and Woody himself parodied that iconic character in
Sleeper (1973). When Neil and I saw a production at Know Theatre many years ago, I said, “I hadn’t realized that Blanche was totally nuts at the beginning until this.”
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The Glamorous Life Back in New York |
Blanche DuBois has been romanticized in the academy because of her lyrical manner of speaking and elegant storytelling. Allen smartly avoids this fallacy by cutting between Jasmine’s (Cate Blanchett) current hanging on in San Francisco and her glamorous past in New York City, married to a crooked mogul (Alec Baldwin). Instead of talking