Linda Cardellini brightens “Mad Men”

This performance is the stuff for which 
the Guest Star Drama Emmy was made

The Drapers Entertain the Rosens (and Dexter)

     Mad Men always finds itself referred to as ‘not as good as it was last season.’  And yes, we’re some of the biggest whiners of all.  Part of the reason is because of its ambition to recreate one of the watershed eras of modern American life by going

BBP: Bobby’s Burger Palace at the Horseshoe Casino

A tour of the bedazzled casino reveals a diner with pizzazz

The Horseshoe Casino Gaming Floor

     Neil and I finally visited the Horseshoe Casino and, yes, it’s just like Vegas except without the smoke.  This is somewhat of a relief because an elderly lady with an oxygen tank would

Let My People Go!

A sweet, light comedy 
that’s a French-Finnish-English co-production

     By the time anyone reads this, Let My People Go! will probably have departed from The Esquire.  It’s cute fluff about a French Jewish family dealing with a series of slapstick catastrophes during Passover.

Nicolas Maury and Carmen Maura with Dexter

Spanish legend Carmen Maura plays the mother in a strong ensemble, though Nicolas Maury is the stand out as the

Peter Lovesey: Worth a Look

Though not as well known as Colin Dexter 
or Reginald Hill, he’s just as good 

Peter Lovesey

     I first ran across Peter Lovesey’s name when I was checking out the Crime Writers’ Association Dagger of Daggers, given in 2005 to the top winner of the fifty previous Gold Dagger winners.  This would be the British equivalent to the Edgar Awards.  Lovesey’s The False Inspector Dew, which won in 1982, was one of the seven nominees.  John le Carré’s The Spy Who Came in from the Cold, the 1963 winner and one of the most significant novels in any genre of the past sixty-five

Kaze: Glamorous, Upscale Japanese

An indication that Cincinnati dining 
can be deemed cutting edge

My Kah-Zay Pose.
Arigatou Gozaimasu

     Kaze (kah-ZAY) is the new Japanese gastro pub (must every cuisine be a gastro pub?) on Vine Street in the Gateway Quarter a.k.a. gentrified Over-the-Rhine.  Karen and Tom had asked to come along on a review so that we’d be able to

Dawes: Stories Don’t End

Reviving the Southern California 
country rock sound of the ‘70s

Dawes with Friends*

     Stories Don’t End, the third studio album by the L.A. band Dawes, lives up to its title.  The story that the band continues started in the late ‘60s – early ‘70s with Crosby, Stills, Nash & Young and they’ve been labeled as proponents of the “Laurel Canyon” sound.  Actually, to me, they utilize an instrumentation and arrangement that sounds more like the

Kacey Musgraves

Searching for a new female country star among the kids

Kacey Musgraves

     Kacey Musgraves is making a big stir in country music and mainstream culture right now by being well reviewed in Entertainment Weekly and profiled on CBS Sunday Morning, the arbiter of middle-class, middlebrow taste (and I mean that as a compliment).  She’s twenty-four, but has been releasing albums for a decade and, in the grand tradition of young

Ginger and Rosa

Back to ’62 (again), but this isn’t 
on the same level as An Education

     Going into Ginger and Rosa, I knew that Elle Fanning (Nowhere, Super 8) would be excellent and that either the subject matter or the story would be told idiosyncratically since it was written and directed by Sally Potter (Orlando).  It’s set in London around the time of the Cuban Missile Crisis and

Back in the Day at BBQ Revue

Classic recipes and a great offering of meat selections

Dexter and Pig at BBQ Revue Entrance

      There have been freestanding BBQ smokers, or ones alongside a restaurant, for many years now.  It's an American original.  But a phenomenon has happened in the past few years that has elevated barbecue to high cuisine and even

(The) COCK(fight Play)

A winner for mature audiences at Know

     COCK by Mike Bartlett at Know Theatre is a strong play, but the production directed spectacularly by Brian Robertson takes it to another level.  It’s an eighty-minute one act that has been set in a cock fighting ‘ring’ with the seating on two sides.  The audience is on top of the action, which is yet another original way to utilize the black box space of Know.  As we’ve