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| Stephen Sondheim* |
Stephen Sondheim is the pre-eminent living figure in American musical theatre, or the American theatre in general. His output has been extraordinary and more of his works are in the international repertoire than probably any other composer or lyricist, even though he’s never written a smash hit. He’s had a number of popular successes (A Funny Thing Happened on the Way to the Forum, A Little Night Music, Into The Woods), some highly original, curious works (Anyone Can Whistle, Pacific Overtures – brilliantly revived by Chicago Shakespeare Theatre a decade ago, Merrily We Roll Along – beautifully rethought by John Doyle at Cincinnati Playhouse in the Park this season, Assassins, Passion – a show I still don’t get), and the masterpieces (Company, Follies, Sweeney Todd, Sunday in the Park with George). He also wrote the







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